Amelia takes a turn at modelling, and I receive an award

Amelia has that top fashion model aloofness down pat

Amelia has that top fashion model aloofness down pat

I finished the hat for Elisabeth (made out of that yummy llama/bamboo yarn I mentioned a post or two back) last night, and this morning convinced Amelia to model it out on the back deck in the fall sunshine.  I’m pretty pleased with how it turned out, and if I can scam obtain some more of this yarn from Elisabeth, I’ll try it with a few different cable patterns.

Autumnleaves has bestowed a blog award upon me, which is so sweet of her!  I will write more about that in my next post, after I’ve had time to take care of the responsibilities that come along with this award.  This afternoon I’ll be outside working in the glorious sun, dealing with a different sort of autumn leaves, and contemplating the seven things about me that I have to share with you in my next post….

Share

Overworked

Me, in orange, purple and yellow -- acrylic, 6 x 12"

Me, in orange, purple and yellow -- acrylic, 6 x 12" (not the best photo, so imagine it in focus and without the glare on the left!)

Following the Masters has a very challenging challenge right now — “The Art of the Self Portrait”.  It wasn’t so much the portrait itself that was the challenge for me, but calling it “finished” was hugely difficult.  One more dab here, a little value change there, a bit of different blue alongside that yellow, and pretty soon you’ve lost what made the picture worth doing in the first place.  Ah well, every painting is a learning experience, if nothing else.  With this one, I learned that I should have quit about thirty minutes before I actually did.  In the end I just stopped before messing it up any further….

Share

September and the hat so far

September, 8 x 10" acrylic on textured canvas

September, 8 x 10" acrylic on textured canvas

Yet another internet challenge painting, this time for the Wet Canvas landscape forum, which Karen the blogless (no blog, no web site, what’s wrong with that woman?) pointed me at.  Every month several photos are posted, and people choose one (or several, in some cases) to paint.  The one I used as my reference is here, but I’m not sure if you can see it unless you sign up as a member to the Wet Canvas site (if you make art, or want to, it’s worth signing up and taking a look around — there are hours’ worth of inspirational browsing and some great information there).   There are an awful lot of talented people out there, and it’s always interesting to see the different takes on the same picture.

I’ve started texturing the canvases before I paint, and I’m liking how that turns out.  One of my next projects will be a winter scene for a Christmas card, and I’m looking forward to trying out snow on the textured support.  I think it will add to the look of the snow.

Pinned out a bit so you can see the pattern better

Pinned out a bit so you can see the pattern better

Elisabeth’s llama/bamboo yarn is slowly becoming a hat.  I am really loving working with this yarn — it’s soft and cuddly and smooth and creamy (well, fellow fibre people will know what I mean by that), and just a really wonderful yarn to play with. By the way, the colour in this photo is much closer to the actual yarn than the picture in the previous post.

This may look more like a scarf than a hat, but it is the bottom band of the hat, which I’m working flat and will graft into a round.  Then I’ll pick up the crown stitches along the top edge and work those in the round.  When the hat is finished, it’s going to Elisabeth and may end up in her shop, or on her Christmas market table.  Hard to believe it’s time to start thinking about Christmas, but it’s not that far away….

Share

Dye day at the llama ranch

A shot to show Elisabeth's lovely garden

A shot to show Elisabeth's lovely garden

My friend Elisabeth raises llamas and alpacas and has their fibre processed into yummy knitting yarns.  She invited me out to play with a new llama/bamboo blend — how could I say no?

I’ve been trying out some bamboo/sheep yarns for socks and shawls and thought that an alpaca or llama blend would be a wonderful thing — all the luxury of the camelid fibre, and the silky sheen of the bamboo….  Elisabeth agreed and had an 80/20 llama/bamboo yarn made up, which we spent yesterday dyeing (the natural colour of the yarn, a light fawn, is great, too!).

Elisabeth has a commission for some navy blue yarn, so we made that, and then moved on to turkey red, and a multi-coloured red/purple/blue that she’ll be making into the Newfoundland mittens and mitten kits she sells.  I’m looking forward to seeing a finished pair of those mittens in this bamboo blend, hint hint Elisabeth.  We finished the day with a pot of green and I brought home a skein of that to make into a hat.

Still a bit damp, but soon to be a hat

Still a bit damp, but soon to be a hat

Here’s a closeup of the yarn — it’s a lovely tweedy green with lots of shine from the bamboo (which doesn’t show up in the dim light I took this shot in, unfortunately).   As soon as it’s dry, I’m going to wind it into a ball and start working on that hat, which I’m already designing in my head.

At the end of the day, six skeins of laceweight alpaca in natural browns and fawn found their way into my bag — have I mentioned that Elisabeth is a really, really *good* friend?  :)

Share

This is Where the Light Comes From

This is Where the Light Comes From

This is Where the Light Comes From, acrylic 10x12"

This is a painting of how the early morning light comes into my kitchen and falls on the wall behind one of the counters — at least, that’s how the painting started.  Or, that’s one of the ways it started.  It really started because I wanted to do something with a lot of texture, so I applied a textured ground to a canvas and left it on the kitchen counter to dry.  The next morning I saw the light hit it and decided to base my picture on that.  Over the course of several mornings, I worked on portraying the light.  It has some metallic copper and gold in it that is a bit hard to photograph — couldn’t get it with my somewhat venerable Coolpix at all, so I had to ask Frank to take a picture with his much much fancier camera (one of the advantages to being married to a photographer) — but even he couldn’t get the metallic shine to show.  It’s a more interesting painting in person.

This is a departure from my usual style, but with the fingers on my painting hand still unable to do any fine, detailed work (getting better every day, though), I decided the time was right to try something less pictorial and with a looser technique.  I think I managed that here.

The painting reminds Frank of one of his photographs of Antelope Canyon, which is also a picture of light: Antelope Canyon 1.

Ok, I’m going to finish my coffee and get back to work on cleaning out the basement….

Share

Sniffle Stew

Some of the ingredients

Some of the ingredients

In the last little while I have been gifted with food by two of my friends.  Karen gave me tomatoes and a cayenne pepper from her garden.  Elisabeth gave me tomatillas from the farmer’s market where she sells her fibre, yarn, and marvellous handmade mittens, among other things.

Inspiration struck, and this stew was the result:

Sniffle Stew (so called because both Frank and I had sniffly noses after eating it, and also because I think it would be great when you have a cold)

Action shot of the stew cooking -- what great colours!

Action shot of the stew cooking -- what great colours!

3/4 to 1 lb pork tenderloin cut into 1″ cubes

3/4 lb tomatillas, quartered

1 large tomato, chopped coarsely

1 acorn squash, peeled and 1/2″ cubed

1/2 jalapeno pepper, finely diced

1/2 cayenne pepper, finely diced

2 large cloves garlic, minced

1/2 cup chicken broth (I used instant powdered broth, oh horror)

And the spices: 1 tbsp paprika, 1 tbsp cumin, and some salt to taste.

Heat a couple of tablespoons of oil in a pot, and brown the pork tenderloin on all sides.  Add the squash, garlic and chicken broth and simmer for about ten minutes.  Add all the other ingredients and simmer about another ten minutes, until the tomatoes and tomatillas have made a sauce.  We have leftovers, so this amount should feed three to four people.

This would be lovely without the meat (and just use a little water or veggie broth for the liquid), so is perfectly adaptable to being a vegetarian meal.  Almost any meat can be substituted for the pork tenderloin, by the way — I think this would be especially good with chicken, and also yummy with stewing beef.

The meal got the Frank stamp of approval, so the leftovers won’t be cluttering up the fridge for any appreciable length of time….

Share

I can’t believe I did that….

Ouch

Ouch

Put my fingers into the business end of a stick-blender while it was running, that is.  Sigh.  I am ever so grateful that the emergency room folks kept their comments to themselves and just patched me up and sent me on my way.  Dressing comes off tomorrow, and stitches come out in a week.  Except  for a missing bit on the side of my index finger, I’ll be good as new.

Now, time to repair to the chaise longue with a box of bonbons and a good book, to be waited on hand and foot by hunky slave-boys while I recuperate over the next week.  Oh, wait a minute, that’s someone else’s life….  I guess I’ll just go to the video store to return some over-due DVDs, instead.

Share

Edge of Autumn

Edge of Autumn, 3 x 5" acrylic on canvasboard

Edge of Autumn, 3 x 5" acrylic on canvasboard

There are so many interesting painting challenges on the web these days!  Over at Different Strokes From Different Folks the current challenge is cupcakes.  The Virtual Paintout is touring Lisbon this month. Painting at About.com has “miniature paintings” as the September challenge.  That last one is where I entered the autumn painting on the left.

Our weather is slowly tipping into autumn (not that we had much of a summery summer this year), with cooler nights, foggy mornings and that crispness in the afternoon.  The scene in the painting is a little farther along into the season than we currently are.  Autumn is my favourite time of the year, and I’m looking forward to the smells and colours ahead.  Woodsmoke, gold and red leaves, pumpkins, harvest moons….

Share

Three Poplars

Three Poplars, acrylic on 4 x 5" canvas board

"Three Poplars", acrylic on 3 x 5" canvas board

Another little one done while having my morning tea….

The weather today is (for a change) warm and sunny, so I felt inspired to convey warm sunniness in the painting.  By this afternoon there are supposed to be showers and thunder again (we’ve been having lots of both lately), so perhaps I’ll do something stormy for my next one.

Share

A Virtual Tourist

"Barcelona Morning", 3 x 4" acrylic on canvas board

"Barcelona Morning", 3 x 5" acrylic on canvas board

Over at The Virtual Paintout, Bill Guffey each month invites people to tour a different city via Google Street View and create art from something they see.  Last month, it was Florence, Italy, and this month it is Barcelona, Spain.  My painting is from a view of a golf course.  I wanted to portray a morning with the sun just coming up, the cool, damp grass and trees and the promise of a hot day ahead.  Since it’s such a tiny picture, it was finished in one go, all alla prima-like, just after breakfast on a Sunday morning.  It’s perhaps not as exciting as real tourism, but there’s no jet-lag to worry about, and your luggage can’t go missing….

Share